A few words about Deb Lecce

Was it a day dream or was I really asleep? As a child, I had vivid recurring dreams of our three story Brooklyn brownstone filled with animals ...all living in peace.

At the time, it did not seem odd that I was the only human coexisting with these creatures in my mind. Now, these animals come to fruition through clay forms.

Fortunately, the environment which inspires my work is the land around my home and studio.  Surrounded by water and trees and infused by vibrant life, where I can see the seasons change at their finest beauty. I am directly in the thick of nature and often feel a calling to put my inspirations back into the world. My pieces usually live outside, while the elements adorn them. 

I work in stoneware clay. Each piece begins with the belly of the animal. From there, I add coils and continue to paddle and stretch the clay into form. It can be slow and contemplative while I find the gestures and expressions that arise from the companion-like temperaments of these animals. This is an intimate time and I feel challenged and excited by the process of transformation. 

My functional tableware also incorporates nature into their designs. It is my desire that these pieces be used in daily living. Rather than being adorned by the elements, they are adorned by families and the stories which are shared around them.

The animals are fired in a variety of kilns, but I especially love the anagama firing for the depth and beauty it imparts on the animals. Some pieces have been fired for seven days with wood and a team of people; the patina is a kiss of fire and ash. The wood firing also helps shift me from working solo to building a community with other potters. It’s a time that re-inspires me and I look forward to annually.

It is my hope to create works that quietly engage the viewer, while creating an air of curiosity and calm. I see them as guardians of the land.